The Fundamental Elements of Rhethoric and their Impact on Music Art

Authors

  • Oleksandr L. Oliinyk

DOI:

https://doi.org/10.47059/revistageintec.v11i4.2294

Abstract

The article is devoted to the fundamental positions of rhetoric and their embodiment in music, which corresponds to the modern conditions of performing art activity. The methodological basis of the article is the position of linguistic musicology, presented by the heirs of B. Asafiev’s school in Ukraine, in which the concept of “musical vocabulary of the era” holds an honorable place. Particular attention is devoted to the features of stringed and plucked instruments, which make up the specifics and emblem of national Ukrainian art. The laws of rhetoric, especially the inventio principles, fixing the tone-sound specifics of expressive sound production were studied. The intensity of the artistic component in the creative construction of the instrumental playing and in the essence of the artist’s performing position was determined. The scientific novelty of work determined theoretical innovation for the Ukrainian musicology of the problem of rhetorical inventio in music and its application in musicological discourse.

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Published

2021-07-22

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Section

Articles